Clad in Turquoise : Madam Butterfly or an Iridescent Dragonfly?
Whilst spending the 2015 Christmas period in Melbourne I was delighted to squeeze in the opportunity to photograph a residence that was recently acquired by two mid-century lovers of design in my family “J & D”.
Located in the leafy foothills of the Dandenong Ranges at Heathmont, the 3-bedroom house was completed in 1956 during the Post War housing boom by the government war homes services. Bought third-hand in 2015 (and very luckily so as the previous owners subdivided the block and were going to knock it over) the old girl is need of some TLC, but her new owners fell in love with the classic mid-century styling that still shines through, showing off a striking butterfly roof-line and standout exterior turquoise colour scheme that adorns its vertical weatherboard cladding, making the house look somewhat like an iridescent dragonfly perched high upon its allotment.
The new owners loved that they had bought an original mid-century home that still retained many unique features such as: the distinctive vertical ship-lapped pine boards that clad the exterior and line part of the interior; the large floor-to-ceiling plane glass windows that provide pleasing expanses of light in the study and lounge areas; and the quirky but very functional top-hung awning windows well-placed above and below the large windows to cleverly provide controlled ventilation through the house.
The living areas are spacious and have a natural airy feel to them which invites one to lounge around and casually relax. The owners are gradually collecting beautiful modernist design classics to furnish their abode and Danish designed side-boards, drinks cabinets and a Ray Eames lounge chair are notable. The native timber hardwood floors have weathered time well and add a warm honey-coloured glow to the living and dining areas.
The polished corkwood floor in the entrance immediately transports you to a past era, your arrival confirmed by the multicoloured Ray Eames designed “atomic” hat rack on the pine board walls sporting a 1960’s inspired “Mad Man” hat.
The house is arranged as two pavilions (housing bedrooms in one and living, dining & study areas in the other) linked by a utilitarian arm housing kitchen, bathroom, toilet and connecting hallway. “J” thinks that this works very well as “The living area is separated from the bedrooms but still very much visually connected via the glass hallway. We could very happily host kiddies in one end and adults in the other!”
Although having funky looking cupboards featuring in part some novel sideways-sliding doors, the kitchen area is relatively small by today’s modern living standards and J & D have plans to lovingly rework it along with some reordering of the bathroom and perhaps extend the spare room.
The bedrooms also feature favourite mid-century furniture pieces that are proudly displayed beneath windows that have a calming garden outlook.
Madam Butterfly is well placed in Heathmont as it is home to many Post War era residences and a range of mixed architectural styles including 1950s, 1960s, 1970s-1980s and 1980s-1990s buildings that are generally single storey and made up of a mix of weatherboard and brick veneer exteriors. Although a handful of houses can be classed as modernist or international in style (along the designs of Marcel Breuer, Harry Seidler and Frank Lloyd Wright), most are representative of a ” austere post war” style of a simple dwelling design, comprising flat or low slung gable roof forms, built of lightweight timber framed construction without decorative ornamentation. Notable architects active in Heathmont during the 1950s – 1960s include David Caldwell and Patrick & Chancellor.
Following WWII increased car ownership as well as residential lot subdivision became major drivers of growth in Heathmont. In 20 July 1956, The Argus newspaper featured a property guide article that extolled the new “Inner Dandenong Suburbs” with:
“Heathmont the first station beyond Ringwood, is rapidly becoming a show residential suburb,with many good examples of modern domestic architecture. In this attractive area, home sites in picked positions, on made roads, near the station, sell from £700 each.” “Builders are erecting timber homes with two bedrooms to sell from £3,250, and with three bedrooms from £3,600.”
At the time is was noted that besides having attractive house sites with favourable views the establishment of large factories in the neighbouring Bayswater area by Dunlops and British Nylon promised employment opportunities and a secure income to buy a house.
The favourable views of yesteryear are still to had, but with the advent of time they have been rendered ever more sylvan with the growth of established gardens, making the “turquoise dragonfly” feel very home indeed!
I am sure that over the next few years that this home will be lovingly restored to its former mid-century glory, making the decision in choosing the moniker of a turquoise-coloured “Madam Butterfly” or “Iridescent Dragonfly” all the harder to choose.